Audimat
CRYPTO FOREVER

KFAX7: Record Label Logo Archive Vol.2Luca Lozano is back with another bumper selection of weirder and more obscure electronic music record label logos. Following up on the success of the first volume, KFAX7 draws together logos from his collection and treasures he's found on his travels.100 pages, measuring at 10x14cm and printed on yellow 70 g/m² EOS bible print paper and with black glue binding.

Various forms of drawing about clowns by KIKIFRUIT.

Rock'n'Roll 50's Fanzine

Rappeur et fondateur de la Mafia K’1 Fry, un des collectifs majeurs du rap français, Manu Key raconte comment l’aventure a commencé dans la MJC d’Orly, à une époque où le rap en France n’en était qu’à ses balbutiements. Le jeune Manuel Coudray, entre galères familiales, scolaires et sentimentales, se réfugie dans cette musique qui transformera sa vie et celle de ses acolytes à jamais. L’indépendance de ton, la sincérité de leur démarche artistique et leur passion inépuisable ont su trouver un écho chez une partie de la jeunesse française.De la rencontre avec MC Solaar à la découverte de Kery James, en passant par l’amitié et la collaboration avec Dj Mehdi, la réalisation des disques en solo et en groupe, Manu Key égrène ses souvenirs avec la même énergie qu’à ses débuts. L’occasion est donnée ici à ce pilier du rap de raconter l’aventure musicale de l’axe Orly-Choisy-Vitry, loin des fantasmes et des clichés qui entourent ce collectif à la réputation sulfureuse.Ce livre rappelle que la Mafia K’1 Fry est avant tout une histoire de liens sacrés. Le récit de Manu Key apporte une pierre indispensable à l’édifice de l’histoire du rap en France.

The infamous CoE STPKY International tee, re-edited with Chris Korda using the original screen artwork for Goswell Road.This tee was first made in the mid '90s by Korda and the CoE to promote and fund their activities. In the words of Korda and the CoE:"Okay, you want a SAVE THE PLANET KILL YOURSELF T-Shirt, but you're not quite ready to wear the four pillars. Say no more."Snuff It #3, the CoE Journal, 1995In 2019, Supreme made an unauthorised verison of this tee using the International graphic on the front, ripped from a 1994 CoE sticker.When first produced it was only available in larger sizes but we have made it in classic mens small, medium, large, XL and 2XL as a unisex size range.Fits like a classic straight-cut band tee, hand screenprinted with water-based white and red ink on 100% black cotton tee.

During the early 90s, Jean-Louis Huhta aka electronic musician Dungeon Acid would visit London to catch the live and DJ performances of early Techno artists such as Carl Craig and Baby Ford. In the hours before the events he would walk the streets of the capital taking in the usual sights and sounds that travellers and tourists would enjoy. However, his exploration of the city went a little deeper than most, he began to notice the colourful and simple calling cards of sex-workers that were plastered all over the inside of the iconic red London telephone boxes that populated the areas surrounding the centers tube stations. Over the years Jean-Louis would add to his collection with various visits to the capital and still to this day trades the cards and collects them whenever he finds them. KFAXXX revisits his substantial collection over 100+ pages printed on a variety of coloured paper with coloured ink that replicates the duotones of the original cards.KFAXXX serves as an archive of the crude and archaic design practices of the early 90s, safeguarding the imperfect fonts and illustrations that were used widely throughout the underground.110 pages, measuring at 10x14cm and printed on yellow, pink and white 80 g/m² EOS paper with pink glue binding.